SEYED A MOSTAJABOLDAVEH: 2009

20090617

MODEL, SECTIONAL PERSPECTIVE B

MODEL, SECTIONAL PERSPECTIVE A

THE FEELING THAT I WANTED TO CREATE IN THIS GALLERY WAS THAT THE ARTIST WILL TAKE CONTROL OVER THE FLOW OF THE VIEWERS IN THE GALLERY. THE VIEWER WILL ALSO FEEL THE DISTURBANCE THAT HAS EFFECTED THIS GALLERY FROM THE PRESSURE OF THIS AREA.

CONCEPTUAL IDEA

AFTER PLAYING AROUND WITH THE RATIO OF SPACES I RELISED I CAN FIT EVERY SPACE INTO A SQUARE.

SO I SPREAED THESE SQUARES ALONG THE SITE, AND TRYED TO CREATE A SENCE RYTHM OF FLOW IN THE SPACES.

SITE IMAGES

AFTER VISITING THE SITE I REALISED THERE WAS NO PLACE FOR AN ART GALLERY, SO THERE WOULD BE SO MUCH PRESSURE TO THE ARTIST TO CREATE AN ATMOSHERE THAT CAN REFLECT HIS ART WORK IN NEWTOWN, A RESTURANT STRUGGLES TO FIT THERE LET ALONE AN ART GALLERY.

SO MY DECEISSION WAS TO CREATE A DISTURBED SPACE THAT CAN SHOW EVERYONE THAT THIS ART GALLERY IS FINDING IT HARD TO FIT IN. BUT WILL TRY TO FIT IN.

ASSIGNMENT 3: ART GALLERY

20090513

MODEL, SECTIONAL PERSPECTIVE

MODEL, SECTIONAL PERSPECTIVE B

MODEL, SECTIONAL PERSPECTIVE A

MODEL, INTERIOR PERSPECTIVE B

MODEL, INTERIOR PERSPECTIVE A

MODEL, PERSPECTIVE B

MODEL, PERSPECTIVE A

MODEL

AXONOMETRIC

SECTION C

SECTION B

SECTION A

PLAN

NARRATIVE

THROUGHT THE DARKNESS OF POVETY,

SHE RECEIVES A LETTER FROM THE PERSON,

THAT HAS BROUGHT ALL THIS LIFE TO HER,
SAYING; "THEYRE GOING BANKCURRUPED".
SO, SHE’S GOING THROUGH A FASE THAT SHE’S FEAR FULL.
ITS VERY HARD FOR HER TO LEAVE THIS LAVISH LIFESTYLE,
SO SHE TRIES TO GET USE TO IT AND GO WITH THE FLOW OF LIFE,
SHE’S LOST.
SHE FEELS HER LIFE HAS NO MEANING ANYMORE.
EVEN THOUGH SHE STILL LIVING IT.
ITS LIKE DEATH, SHE KNOWS SHE’S GOING TO DIE ONE DAY,
BUT YOU TRY TO GET YOUR MIND OFF IT
BY GETTING YOURSELF BUSY,
WITH OTHER THINGS IN LIFE.